Lincoln First Listen debuted in 2016 putting the spotlight on upcoming tracks by both rising and established recording artists from behind the wheel of a Lincoln vehicle. In addition to events, concert series and more, the brand also demonstrates that commitment through its Lincoln First Listen series. Music is an important part of Lincoln’s commitment to the arts. As his lyrics bear out, NE-YO is a new man – a good man – and the 2018 Lincoln Navigator is a completely new vehicle.” “His journey represents the maturity, class and quiet confidence Lincoln is known for. “Highlighting NE-YO’s vehicle choice as a symbol of his personal growth is an ideal narrative for the 2018 Lincoln Navigator,” said Jennifer Edwards, Lincoln multicultural communications manager. The artist’s voiceover of his lyrics touches on the many facets of being a good man, a theme reinforced throughout as diverse settings bring out different sides of NE-YO to humanize his larger-than-life persona. NE-YO’s single “Good Man” serves as the soundtrack. On a cinematic nighttime drive through Los Angeles, both the understated elegance of Navigator along with the artistry and class of NE-YO are showcased. “Through this showcase of the Lincoln Navigator, I hope to inspire good men everywhere who are balancing career, family and identity, while leading by example to show people what it is to be a good man.”Ĭapturing the quiet confidence of both artist and vehicle, the video’s behind-the-scenes narrative is personal and up-close. “I’m excited to partner with Lincoln, a brand that is synonymous with style, class and luxury,” said NE-YO. This sixth installment features the Revel sound system in the luxurious setting of the all-new 2018 Lincoln Navigator as NE-YO discusses the inspiration for his new song “Good Man.” The Lincoln Motor Company has launched the next chapter in its Lincoln First Listen music series featuring singer, songwriter and multiple GRAMMY ® award winner NE-YO. Lincoln First Listen volume six featuring NE-YO highlights the all-new 2018 Lincoln Navigator and Revel sound system.
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After having stopped a cab to get Sinclair, Jerome persuaded her into going out on a dinner date to prove her wrong. As the dance finished, Jerome ran off to find Sinclair. During the bridge, however, Sinclair got angry seeing Jerome dancing with other girls, and left. Jerome then told Clyde and Leroy to get up and do "THE THANG", which was dancing to One in a Million to impress Sinclair. Sinclair, however, thought that Jerome was simply an arrogant man who always tries to get what he wants, and didn't want to befriend him. Jerome then tries to draw his attention towards her by floating his drink, Sinclair then advises the waiter to take away the drink and give it to Jerome.He walked up to her, trying to make a conversation. Ne-Yo, Clyde and Leroy were at a café, and as soon as Sinclair's friends saw the Gentlemen trio, they immediately joined their table, leaving Sinclair behind. The video is influenced by Michael Jackson's " The Way You Make Me Feel", where he follows a woman to following her down the street and showing off his dance moves. The full-length nine-minute video is included on the deluxe edition DVD version of the Libra Scale album.įor continuity, Jerome (Ne-Yo) remembers back to when he first met Pretti Sinclair ( Galen Hooks). “Let’s make Holberton one of the biggest schools on the face of the planet.Wayne Isham directed video for "One in a Million" premiered on September 3, 2010. While the coding school is still only about 18 months old, it’s early success is already attracting heavy-hitters like Ne-Yo, along with existing investors including Trinity Ventures, Yahoo cofounder Jerry Yang, and Jerry Murdock, co-founder of Insight Venture Partners. “I’m very, very excited about this,” Ne-Yo said at the celebration. They also work with mentors from companies like Uber and LinkedIn to finish the two-year program.Īlready, some of Holberton’s students have interned or been hired at companies like Apple, NASA, and Dropbox. Instead much of the curriculum is based around students working on specific projects and helping teach each other. The school is able to keep its costs low by not hiring formal teachers or giving lectures. Women constitute 40% of its students, and 53% of the student body is people of color.Specifically, Ne-Yo wants to attract more Hispanics and blacks to the coding school based in San Francisco. Instead, graduates have to contribute about 17% of their salaries or internship pay to the school for three years after graduation. Already, Holberton’s free (at least upfront) approach has helped the coding school attract a wide-range of people wanting to break into the tech industry. While there are plenty of coding schools and bootcamps abound, the Holberton School is taking a different approach by charging no upfront tuition for students to enroll. “I have a platform, and I’m going to use this platform to spread the word.” It’s more realistic to do what I do, be a singer or an NBA star,” Ne-Yo said during a party celebrating his new role at Holberton hosted by Trinity Ventures in San Francisco. “Thanks to these guys it now is,” Ne-Yo said. On Thursday, Holberton School plans to announce that Ne-Yo invested in the coding academy’s most-recent $2.3 million funding round and is joining its Board of Trustees as a result. “This is not a realistic career for people who came up like me. The idea of a coding school that charges no upfront tuition was intriguing to Ne-Yo. The Grammy Award-winning artist is certainly not the first musician to invest in Silicon Valley, but he’s one that wants to put his talents and money into helping to solve the diversity challenges facing the tech industry. Ne-Yo with the Holberton founders Sylvain Kalache and Julien Barbier and Trinity Partner Dan Scholnick (photo via Holberton School)
He felt now as though his brother had brought her home for him, his bodyguards reconnoitered the area until they found the man they were looking for: Jimmy. My body was still tingling as if it had been deprived of oxygen. The checkers went flying and scattered across the kitchen. The hands withdrew, to hold twenty-seven extra rounds of ammo.ĭownload Kendrick Lamar MP3 Songs and Albums | music …īut that was nowhere as rich as he might be if he could win the hand of Seila Norwood. imagine music festival 2018 And all she could think of as she did was his telling her not long before that he wanted to end his life on an island. But this time it was he who took no notice. How did Goro get way up into the darkness of the night sky to cast his welcome light upon the fearsome nocturnal jungle.
New characters, such as mean girl Badison and cell block gang leaders Carol and Bard made up for it, though. Big Boo also took a break, though she made a brief appearance in episode three of season 6 but wasn't seen after. Maritza was sadly absent the whole season, as were Angie and Leanne. In case you don't remember, Season 6 picks up after the riot and fans were relieved to see that many fan faves and familiar faces were present. A LOT happens in every season, which is why this Orange Is the New Black Season 6 recap should be your viewing companion while you marathon the new one. Now that the final season of Orange Is The New Black is upon us, fans are going to want to brush up on the previous seasons of the hit Netflix dramedy. Orange may sometimes play things a bit on-the-nose, and not all the flashbacks this season are necessary (though the same could be said for most flashbacks after the first few years), but the full experience of this series, and this season, will simultaneously elevate you and haunt you.Spoilers ahead for OITNB Season 6. Hell, even Alysia Reiner's Fig discovers an inner light when confronted with the inhumanity of ICE. Given how much this final season is meant to illuminate the creeping and cruel darkness saturating our country right now, Orange finds its strength, and salvation, in kindness and decency. From a bookend standpoint, we also get to cycle back into Piper's life and revisit her inherent need to feel like an outlier, whether it draws people in or pushes people away. Sadly, I can't divulge too much here, except to mention vague starting blocks like "Piper and Alex face relationship challenges now that Piper is on the outside," "Doggett and Maria try to improve their lives," "Tamika gets an exciting new opportunity," and "Nikki tries to balance a new love with old responsibilities," but it should be said that the most interesting stories to witness here are the characters who try their hardest to create systemic changes for good. Not that Litchfield itself doesn't feature some seriously dire s*** in the final stretch - from Taystee's deep dive into dark thoughts to an alarming ailment that grabs hold of Red - but it's in the ICE block that most of the horrors unfold. New faces flood in, some with their own tumultuous arcs and backstories, thanks to Pol圜on Corrections' ugly new ICE Detention Center, which we saw Blanca wind up in at the end of Season 6. Beneath Orange's trademark witticisms and woke whimsy is a sinister source code that embraces chaos and directly showcases how each character accepts or rejects life's cut-throat uncertainties. Also, while Season 7 contains a decent amount of returning faces (not just those who vanished post-Season 5), it also stays honest to the credo that "sometimes people's stories just end." Sometimes folks vanish. Surprisingly, the fate-game, given the massive ensemble, adds a layer of suspense to Orange's unique dramedy recipe. Some go the distance while others trip up right before the finish line. You might think redemption is in store for a handful of these complex inmates, but you'll only be right half of the time. Naturally, the predictable and generic choice for a TV series coming to an end would be to right wrongs and see justice prevail, but Orange dances to a vastly different beat. Viewers looking for the type of closure that comforts and consoles will probably have a hard time absorbing a lot of this.Īs Taylor Schilling's Piper readjusts to the outside world, in a new life that's set up for her (and other ex-cons) to struggle with and fail at, the rest of the inmates in Litchfield Max (the setting since the riot in Season 5) do their best to either face their fate or alter their course. And that's the OITNB bingo game running underneath Season 7, really: Who's going to make it? Not simply "Who's going to make it out of prison?" but "Who's going to be okay?" Because those things can easily be mutually exclusive. A bountiful blend of triumph and tragedy. There are lags and sags, sure, as you'll find with most 13-episode seasons where the chapters all run about 60 minutes each, but, damn it, there's some sweetly destructive stuff here too. Now that the show can put a final stamp on things and close up shop on the characters and arcs, there's a freedom of design that hasn't really been present since the first season. After that, you get into the second wave of Originals (Bojack, Kimmy Schmidt, Master of None, the Marvel shows, etc) and the business officially picks up on the Peak TV front.īut Orange Is the New Black, with its addictive, macabre bounciness, has remained tall and true through it all. Hemlock Grove never made it past Season 3. The curtain call for the single remaining start-up Netflix Original. Running along Lugard Road and Harlech Road it is relatively flat, when travelling clockwise you look down on the busy northern shores of Hong Kong Island, followed by the quieter residential areas on the south side. The first is a circular trail that loops around Victoria Peak itself. There are a few other lookouts to visit: if you are willing to walk further afield, there are two walking tracks to the west that cover more of the scenery. There prices seems to be pretty normal by tourist rates, and they are polite enough to not barge their way around trying to drum up business – if only the touts on the streets of Tsim Sha Tsui were that nice! Since it is a tourist trap, there are a number of photographers who will take your photo in front of the skyline. The terrace is the best location to see the ‘cliche’ view of Hong Kong, but it gets crowded at dusk, and cold in winter due to the lack of shelter.įrom the Sky Terrace you can also look over the south side of Hong Kong Island, towards Lamma Island, Hei Ling Chau, and Lantau Island. If you step inside then zig and zag through a half dozen escalators you can get almost to the top of the building, but admission to the ‘Sky Terrace’ on the roof is $25 HKD (or thereabouts). The Peak Tower is the building with what looks like a rice bowl on top the Peak Tram arrives in the basement, while the bus arrives across the road. Once at the top there are more things to do than just checking out the view: a visitors centre is located in a 1950s-era Peak Tram across the road from the Peak Tower. The bus does get busy at times: I caught it of an evening and there was a long queue waiting for the next bus back down the hill. The bus takes around 40 minutes end-to-end, including a pointless deviation along a dead end road halfway up the mountain. This route starts at the Star Ferry pier in Central, wanders through the busy districts of Admiralty and Wan Chai, then turns into the hills, winding up towards The Peak where it terminates in the basement of the Peak Galleria shopping centre. The exit of the station leads straight into the Peak Tower shopping centre: a rabbit warren of overpriced shops and restaurants all angling for the tourist dollar.Īnother way up to The Peak is by bus – route 15 operated by New World First Bus is the most popular. Only a minute or two later the top station at Victoria Peak is reached, and it’s time to get out. It isn’t until you reach the passing loop, then make a right hand turn, that you get your first glance of the Hong Kong skyline.Īlong the final section of track the trees clear, with the city spreading out beneath you. The incline continues on, but the famous view is still blocked by trees. One interesting bit is the old tram shed is beside the tracks: today one of the old green trams is stored in the disconnected siding track. Then looking into what passes for a Hong Kong backyard. Once out of the station, the scenery isn’t that scenic – passing under a highway overpass… Inside the tram the seats all face one way – uphill: if they didn’t you would slip out as soon as you started to head up the incline! Unfortunately you don’t get to jump the queue for the tram itself, but once inside the gates there isn’t much room for a line to form. Once at the Peak Tram, the ticket office usually has a long line snaking out of the door, but if you have an Octopus Card, you can skip it and just scan your card at the ticket barriers. Most people take the Peak Tram to reach the top: unfortunately the lower station is a fair way from the Star Ferry or the MTR: you can either catch one of the various buses that serve the tram station ( more details here), or take a 15 or so minute walk uphill from Admiralty station on the MTR. I mentioned Victoria Peak in passing in a recent post about places to see the Hong Kong skyline: now for the full story. |
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